Review: Reboot

Reboot
Reboot, Book 1

Author: Amy Tintera
Narrator: Khristine Hvam
Duration: 8 hrs, 42 mins
Publisher: Harper Audio
Source: Publisher for review

Description from Goodreads:
Five years ago, Wren Connolly was shot three times in the chest. After 178 minutes, she came back as a Reboot: stronger, faster, able to heal, and less emotional. The longer Reboots are dead, the less human they are when they return. Wren 178 is the deadliest Reboot in the Republic of Texas. Now seventeen years old, she serves as a soldier for HARC (Human Advancement and Repopulation Corporation).

Wren's favorite part of the job is training new Reboots, but her latest newbie—Callum Reyes—is the worst she's ever seen. As a 22, Callum is practically human. His reflexes are too slow, he's always asking questions, and his ever-present smile is freaking her out. Yet he's still her newbie. When Callum refuses to follow an order, Wren is given one last chance to get him in line—or she'll have to eliminate him. Wren has never disobeyed before and knows that if she does, she'll be eliminated, too. But she has also never felt as alive as she does around Callum.

The perfect soldier is done taking orders.

Review:

Reviews for Reboot have been all over the place, which basically meant I had to try it and see for myself. Ultimately, I'm sort of in the middle. Reboot's a lot of fun, especially in the first half, but also still fairly old hat for dystopian scenarios. I'm definitely glad to have read it, but I didn't love it either.

Why Did I Read This Book?
As I mentioned, curiosity. Sometimes, I'm more tempted to read books that get 1 star ratings from some and 4 from others than those that get a consistent 3 stars. I just have to know for myself what book has generated such disparate responses. Seriously, I was reading reviews and adding, removing, adding, removing, adding this book on Goodreads. It was ridiculous. The audio seemed like a good choice, because action books from first perspective often translate pretty well.

What's the Story Here?
In a post-apocalyptic world where all that remains of the US is Texas, a dystopian government has arisen in the form of HARC, a corporation that controls all of the things. Freaking corporations. Currently, if I had to guess a company that would become the dystopian overlord of us all, I would say Amazon, but maybe that's just because they keep buying up the book world. *side-eyes* As with so many dystopian/post-apocalyptic novels, there's a disease, which causes people to reboot. Basically, they're zombies, only they're hot (like vampires, they're themselves but with perfect skin and hair and bright eyes) and super strong and don't eat people. The reboots are known by their numbers, which are how long they were dead before they rose, with the larger numbers being the strongest and least human. Wren is 178, and she does everything by the book until a 22 disrupts her regimented life.

How are the Characters?
Okay, so I really liked the first part where Wren was all queen of the reboots and stuff. Unlike some ya assassins, Wren really does kill people and she even does so in front of the reader. On top of that, she likes killing, and doesn't even feel guilty about it. People are worthless to her, and she'd rather kill a human than look at it. Callum, the 22, is the only other well-developed character, and he's basically the opposite of Wren. Where she's the perfect soldier and very serious, he's happy and doesn't want to hurt a fly. In fact, even eating meat makes him sort of uncomfortable. I liked Callum consistently, but I loved Wren the bitchy reboot from the beginning of the book most of all.

And the Romance?
Here's the caveat. I just was not really feeling their romance. For me, it would have been more compelling if she hadn't been so interested in him right out of the gate. She's all like "omg, he's not afraid of me," and gets interested in him so quickly, which was necessary for the plot, but didn't really seem like Wren as established. Also, she goes from no emotions to ALL OF THE EMOTIONS. It just felt really sudden. She's this hardcore badass until she gets to know Callum and then she's blushing, gasping, and jumping at people's touches. Yes, she does have feelings, and I totally get that, but, from the glimpses showed of her past, I really doubt she's that demonstrative of a person at the best of times. I just never felt like Wren would be so lovey-dovey, even when she's in love. Basically, all of the things that happened with the romance made me roll my eyes. However, I do love the dynamics of the relationship, and how she is the strong one and he's the one who has to be saved. Then again, that would have been more powerful if the role reversal had been continued; she can love him and still be a cool, stern badass most of the time. When it came to the gushy stuff, she was all melty and blushing, and he was cocky and in control. I would have liked to see her more dominant and consistently-characterized all around. Oh, I will say, though, that Wren does continue to want to kill the humans, so that was good at least.

Am I Going to Continue with the Series?
Though the plot sort of let me unenthused, I do plan to continue. It's not that I thought the plot of trying to get away from the evil corporation was bad, but it's been done a lot, and it's not my preferred story arc for something like this. Still, I'm engaged enough with the characters and story to want to know what happens next.

How was the Narration?
For the most part, Hvam does an awesome job with Reboot. She keeps her voice pretty measured and it really fits with Wren. Hvam's voice is girlish enough to fit with Wren's sort of outward appearance of sweetness but full of mettle too. She does a nice job differentiating the characters, even though she does not go all out with the voices. The one thing I did not like is that, with audio, dialog tags really stand out. This book has "I said" and "he said" all over the place, and Hvam really emphasized them, and I groaned every time it happened again.

Sum It Up with a GIF:

Rating: 3/5

Where the Eff is Cover Snark?

For the forthcoming fortnight, things will be a bit up in the air here at A Reader of Fictions. I announced this on Twitter, but there will be no Cover Snark for the next two weeks. With BEA prep and then BEA, I just do not have the time to prepare the post, since it takes hours. However, BEA will be back on the first Thursday in June. If you have any opinions on whether you want me to try to recap the missed weeks or just cover that week as usual, let me know in the comments.

While I'm at BEA, there will be reviews going up, but I'm not sure how much time I'll have to comment and so forth. I will do what I can, and I appreciate your patience! You can bet I will be back to my usual schedule once I'm back home:

In the meantime, I'm leaving for New York City on Saturday. I'll spend the first half of the week with my only true friend from my high school. Not really sure what we'll be doing, but it will undoubtedly be awesome. What's my goal?

Okay, not really, because I'm me, but I'll try to be slightly less boring than usual. Then on Wednesday, I leave her and meet up with a bunch of wonderful bloggers, like Steph of Cuddlebuggery, Kara of Great Imaginations, Giselle of Xpresso Reads, and Micheline of Lunar-Rainbows. I AM SO EXCITED TO MAKE THESE INTERNET FRIENDS IRL FRIENDS.

Hope you're all still here when I get back, because I love interacting with you all, so please forgive me for taking a pseudo-vacation from blogging. I'm not taking my laptop, so my ability to blog will be pretty limited. I will miss you all!

"Just a Book"

Yesterday, I came across several instances of "just a book," which really got me thinking and, admittedly, ranting. Referring to something as "just a book" is incredibly dismissive, something that I'm used to hearing from people who don't read, but that breaks my heart to hear from a bookworm like myself.

I'm going to paraphrase what I saw, just as examples. I don't want to call out anyone specific, but more to consider why these phrases put my on edge.

1: An author, asked about the next writing project: "Just another YA book."

2: A Goodreads user: "This is just a dystopia/science fiction, so there's no reason to look at it with a critical lens."

3: A Goodreads user in response to a somewhat negative status update: "It's just a book; I think you're taking it too seriously."

If you're spending all of this time reading and interacting with a community of readers, perhaps blogging, why do you feel the need to lessen the importance of books. Even if the book has little to no intellectual value, you're reading it for a reason. Emotional uplifting, like the happy buzz a romance novel might bring or the enjoyment of puzzling out a cozy mystery, alone is nothing to be ashamed of. In fact, the whole "just a book" thing seems to relegate reading to the position of a guilty pleasure.

Though I admit that I do enjoy the phrase guilty pleasure, and do still sort of like to use it, I don't actually believe that you should feel any guilt about the books you choose to read. I might term something like Anna Godbersen's Luxe series a guilty pleasure of mine, but I'm not actually embarrassed to admit that I had a blast reading them. I've sort of switched to calling them candy or potato chip reads: they may not be your bookish sustenance, but you just can't stop eating them.

Don't feel guilt about what you're reading and don't feel like you need to put down your own hobby. Books are important, and, in most situations, there's no cause to say "oh, it's just a book." I mean, sure, I can think of a few scenarios I might say it, but they're going to be exceptions. For example: if I were crying about a book and called a friend who was crying because of a family crisis, and then asked why I was sad, I might mumble something about 'just a book.' Sure, relative to certain things, just a book has valid meaning. However, when talking to other bookish people about nothing but books, there seems little reason to put them or yourself down for putting a lot of meaning in books.

Referring again to those examples up above, I would like to respond to each one with why I think such comments are poisonous to the atmosphere of the book blogging/GR world.

Scenario 1: In this case, the comment comes across as denigrating YA, rather than books as a whole. Where the author could have replied enthusiastically with "Another YA book!" instead this person put down their own work and the age group that it serves, as though YA is somehow lesser. Perhaps this person has goals to eventually write literary fiction for adults, or maybe they merely failed to think through the connotation of their statement. My point is that a phrase like that is harmful, and may have negative connotations you should consider. And, if an author truly does think it's just another YA book, and that that's a bit shameful, then they should probably be writing for the audience they value. Again, I'm not trying to make a commentary on the specific author, because tone is hard to read over the internet, especially in such a brief context; I don't know the author's motivations or thought processes, and speak solely to how it reads to me.

Scenario 2: Here again, we see a comment that puts down a specific genre. Speculative fiction is just that, asking a 'what if?', so the authors can pretty much do what they want and shouldn't be criticized for a poor portrayal of the way something works in the real world. With this case, there was no mistaking tone or intent. Honestly, I'm very sad that anyone would feel this way. All fiction is a reflection on the world we live in, no matter how original or disparate it may appear. We know nothing but the real world, and, if you think about it broadly, authors can only write what they know. Yes, we have powerful imaginations, but the creations therefrom are still reflecting on something real that's been observed and portraying it differently or combining things into something new, like someone looked at a horse, added bird wings, and imagined the pegasus. Any sort of fiction merits analysis, I think, and if you think so little of the genre you're reading that it shouldn't be held to a set of standards, then why are you reading it? Sure, there are books that go better for me if I can sort of 'turn my brain off' as it were, suspending my disbelief, but I would never make such comments about a genre as a whole. I believe that there are brilliant novels in every genre, even romance and erotica, which I cite not to personally insult them, but because they are oft-picked-on as being mindless entertainment/guilty pleasures. Just because something is entertaining or because it's set in a fantasy world doesn't mean it is without literary merit or that it should not be criticized for poorly interpreting our world. We readers can read however we want. That's our prerogative and we're not doing anything wrong.

Scenario 3: My problems with this one are myriad. Like the others, it's dismissive, and here it's insulting books as a whole. Like with the second scenario I witnessed, we have this idea that books should not be analyzed too closely. Of course, the context here was a status update commenting about how a certain phrase was offensive and made the reader uncomfortable. What are the odds that the "just a book" person would have felt moved to make the comment about the reader taking the book "too seriously" had it been an effusive status update declaring some quote from the book to be the best ever? Pretty much nil.

This attitude is pretty pervasive with regards to negative reviews and status updates. When book reviewers write these, we're accused of taking the book "too seriously," of not remember that it's fiction or "just a book." We're told we've read wrong, being too critical, too nit-picky, expecting too much from some words on a paper. Yet, when we praise a book to the skies, including quotes that made us want to be best friends with the character/author, where are the dismissive hordes, saying that we've taken the book "too seriously"? Now, believe me, I'm not suggesting trolls should hop onto positive reviews right now, but that people look at this from another angle to recognize the hypocrisy. Putting down personal opinions and reactions to a negative book devalues book reviewing as whole; such comments beg questions of which these individuals seem altogether unaware.

I don't know how it is for everyone else, but for me BOOKS MATTER. I'm not remotely ashamed that I read 367 books last year, and that I've read over 120 so far this year. To me, that time is well spent, even with the books I hated or the ones I was bored by. Sure, I might wish I'd read something else, but I'm glad that time was spent reading. I'm not embarrassed that I spend most of my day with my mind on fiction, whether reading, reviewing, twittering, GRing, or doing something else entirely while thinking about books.

Though, unlike some, I can't necessarily cite a specific book that had a monumental impact on my life, changed me as a person, I do think every single book I read plays into making me a better person. Looking at them critically, figuring out what I love and hate in characters and writing helps me decide what kind of person I want to be and techniques I might want to avoid or employ in my own writing. Even from the most facile novel, there are lessons to be learned, even if they're not factual. Books inspire me, they uplift me, they give me hope, they teach me, they thrill me, and they get me out of my own brain to see what life might be like from someone else's perspective, helping me with empathy, something I'm not good at by nature. Even if I can't point to a single book and say "That book made me who I am today," I can say that about the thousands of books I've read to date.

It's not "just a book" to me and it never will be.

*What do you guys think? Have you seen this phrase around? How do you feel about it? Can you point to a specific book that changed your life?*

Review + Giveaway: The Boyfriend App

The Boyfriend App

Author: Katie Sise
Pages: 320
Publisher: Balzer + Bray
Read: May 1-3, 2013
Source: YA Books Central for review

Description from Goodreads:
In The Boyfriend App by Katie Sise, super-smart, somewhat geeky Audrey McCarthy can’t wait to get out of high school. Her father’s death and the transformation of her one-time BFF, Blake Dawkins, into her worst nightmare have her longing for the new start college will bring.

But college takes money. So Audrey decides she has to win the competition for the best app designed by a high schooler—and the $200,000 that comes with it. She develops something she calls the Boyfriend App, and suddenly she’s the talk of the school and getting kissed by the hottest boys around. But can the Boyfriend App bring Audrey true love?

First Sentence: "It was lunchtime in the social battleground better known as Harrison's upperclassmen cafeteria, and I was staring at Aidan Bailey."

Review:

Guys, I am writing this as a zombie blogger, because I died of cute. Seriously, this book is so fun and sweet and humorous and delightful. I picked The Boyfriend App at just the right time, when I was in the mood for a lighter read, for a contemporary novel, and this hit the spot so perfectly. To me, the best books are the ones that can make me feel, and The Boyfriend App delivered, making me actually laugh aloud and grin like an idiot pretty much the whole way through. As I sit here writing this, I still have the foolish grin on my face, because this book is that adorable.

For those who don't know, my day job involves working at a software company, so I hear a lot of talk about programming and apps and all of this stuff. I feel so brilliant when I understand those conversations, and that was a fun aspect of The Boyfriend App. It doesn't get super technical, but one of my best friends is super into app design and hearing all of the ideas and seeing the passion these kids have is so uplifting. Also, it's awesome that there's such a focus on technology in The Boyfriend App, because fiction tends to lag behind on the technological curve, but everything in here is very timely.

Audrey McCarthy loves hacking and programming, taught by her father, who perished in a mysterious accident, for which he was, likely, wrongfully blamed. Audrey and her mother, who is a lunch lady at her school, struggle to make ends meet. Unable to keep herself in the latest fashions, Audrey's not popular at school, but she's totally okay with that, because she has some of the best friends ever, insultingly referred to as "trogs" by her ex-best friend Blake and her cronies.

The characters in The Boyfriend App really shine. Of course, I've got a weak spot for geeky bands of misfits. I love how diverse the kids in this group and in the school as a whole are; this felt a lot more like my high school than most of the ones depicted in YA fiction. Going off on a slight tangent, Sise not only includes characters of various diversities, but she's also not hetero-normative, referencing both lesbian and gay couples.

Anyway, back to Audrey's little group. Nigit and Aidan are programmers like Audrey, and she's crushing on Aidan hard secretly. Mindy, though lovely, is teased mercilessly for her speech impediment. Lindsay, Audrey's cousin, is a fashionista who runs an enormously popular fashion blog. The dialog between all of them is so realistic and engaging. They all feel so real to me. Plus, they're so supportive of one another, and I love seeing a young adult novel with such a strong depiction of friendship, and one where it's a group and not a singular best friend is even rarer.

Okay, so the plot of The Boyfriend App is that Public, a technology company that's totally a parody of Apple runs a contest for high school students to design an app. The two winners will receive $200,000, and Audrey wants to win badly, because this is her only chance to go to a good school and not leave seriously in debt, since she and her mother have a total of $2000 dollars saved. Audrey designs this app intended to help girls find boyfriends, and hijinks totally ensue. There's this one scene in the cafeteria that just killed me, thus why I'm now a zombie. It's over the top in just the right way. Just don't take this book too seriously, because this is comedy and it is good.

At the very end, the book does go in a slightly weird direction. Yes, Sise makes it work, but the plot felt a bit more meandering once the app contest ended. Though a bit more trite of an ending, closing shortly after the announcement might have been more effective, since things got a trifle too serious for the tone thereafter. I also have a few questions about how the Boyfriend App gets information on boys, and a few other niggling questions like that about the app, but that's totally not the point, so I'm going to try to tell my nit-picky self to shut the hell up.

With a sweet romance, laugh out loud humor, and lots and lots of kissing, Katie Sise's The Boyfriend App is a must read for fans of light contemporary fiction. With such a strong debut, you can bet I'll be reading whatever Sise writes next!

Rating: 4.5/5

Favorite Quote: "I wished I could be meaner. Because there were so many options."

Giveaway:
Follow the instructions on the Rafflecopter. Prize will be shipped from Amazon or TBD, depending on where the winner lives. 

a Rafflecopter giveaway

Review: Sky on Fire

Sky on Fire
Monument 14, Book 2

Author: Emmy Laybourne
Pages: 288
Publisher: Feiwel & Friends
Publication Date: May 28, 2013
Read: May 18-19, 2013
Source: Publisher

Description from Goodreads:
The world hasn't ended...yet.

In this sequel to MONUMENT 14, the group of survivors, originally trapped together in a superstore by a series of escalating disasters, has split in two. Most of the kids are making a desperate run on their recently repaired school bus for the Denver airport where they hope to reunite with their parents, be evacuated to safety, and save their dying friend.

But the world outside is dark and filled with dangerous chemicals that turn people into bloodthirsty monsters, and not all the kids were willing to get on the bus. Left behind in a sanctuary that has already been disturbed once, the remaining kids try to rebuild the community they lost. But when the issues are life and death, love and hate, who can you really trust?

Previous Book in Series:
1: Monument 14

First Sentence: "To whoever finds this: here's a math problem for you."

Review:

If I reviewed this book with just one word, that word would be UGH. Honestly, I enjoyed Monument 14 when I read it last year. I'm not sure whether it's actually better than Sky on Fire or if, because of my monumental reading challenge, I was just happy to read something so fast-paced. Either way, Sky on Fire is just sad. I hate making such a pronouncement, but the quality of the writing, the flat characters, and the discomfiting portrayal of women combined to make this a horrid read for me.

Warning: There will be spoilers all up in this bitch.

On the plus side, Sky on Fire probably only took about an hour of reading time all told. It's just 210 pages, so it flies by. Its brevity is the big selling point. The other positive I can offer for Laybourne's series is that the world building does have promise. I like that the world really does seem pretty fucked, and that she's willing to kill off characters; I would like it more if she killed off all of them. The idea of an airborne toxin affecting different blood types in varying ways is interesting too. Unfortunately, a good idea didn't help much, since I hated the plot, writing and characters.

We'll start with the characters. I've read two books in this series now and have yet to see any character development. Things happen and the kids do change somewhat, but not for any discernible reason. Shit just happens. For example, Astrid, pregnant and the object of Dean's affections, tells him that it was nice of him to stay with her in the store, but that she won't have sex with him. Nothing really changes, but they have sex either that day or the next day and suddenly she likes him. Apparently this nerdy virgin who had no experience whatsoever before must have been a mind-blowing lay. *rolls eyes* So, yeah, Astrid changed, but there was nothing to explain why she supposedly likes Dean rather than Jake.

Or, how about this? At the end of the first book, we learned of Astrid's pregnancy. This was my first really bright red flag in the series, but I still wanted to give book two a try. How terrible is it to be a pregnant teenager? Pretty awful in most circumstances. How about if there are no doctors around to help with the birthing? That's definitely worse. And what if you're in the middle of an apocalypse? Worst time ever to have a kid. This is pretty much fact. Yet, somehow, both Jake and Astrid are OVERJOYED at the fact that they will be bringing spawn into the world. No. Yes, these kids are idiots, but, fuck, even they should realize that this is the worst fucking thing that could be happening.

Let's talk about the girls in this book. The way they are portrayed makes me very uncomfortable. The strongest girl in the book is Astrid, pregnant in the middle of the apocalypse. She does actually help save them. Yay! But she's also in the middle of an asinine love triangle and apparently wants to be with whichever guy had sex with her last. So . . . less cool. Then there's Sahalia, who does nothing but cry and have guys attempt to rape her. She's also thirteen. The younger ones serve no purpose to the plot. Oh, there's another girl who's used as a hostage. And another one who does save the group on the bus a couple of times, but then always runs off crying and I'm pretty sure gets left behind entirely, though they're going to go get her in book three. Still, they freaking fly off to fucking Canada and leave her. This is how much women matter.

The writing drove me bonkers. It's repetitive and redundant, like my description. The sentences are simple, especially in Alex's sections. The narration is split between brothers Dean and Alex, as they group has split into two. Alex's notes are monotonous. I don't know how something non-verbal can be monotonous, but this is. Simple sentences with few two or more syllable words. "We did this. We did that." down to mundane details that have nothing to do with the overall plot. Both brothers seem to be writing journals of some sort, but it's unclear when they're writing them. The bottoms of each page indicate the time or location of the entry, but they sometimes reference things the characters don't know yet, like they're being compiled much later. For example, Dean mentions that the smoke kept the toxins in the air from affecting them though they didn't know that yet. That's something they couldn't have learned until at least the last few chapters, but that was in the middle of the book.

Speaking of smoking, that plot element may have disgusted me more than the sexism. Apparently cigarette smoke clears the air of the dangerous elements. Yay! Children, cigarettes are good for you. Was this book endorsed by Marlboro or something? Ugh. There are so many other things that could have been used to clear the air, like incense or candles. It really had to be fucking cigarettes? This sends an awesome message to children.

In no way can I endorse this book. It's certainly not a good choice for a reader like me. I suspect Laybourne is trying to target reluctant readers, but easy-to-read writing can be better than this. However, if you can look past flat, unlikable characters and questionable messages, then maybe you'll like this series. Every book works for someone, right? All I know is that no force in the 'verse could make me read any more.

Rating: .5/5

Favorite Quote: "'I'm too damn old for this nonsense.'"

Audiobook Review: Maya's Notebook

Maya's Notebook

Author: Isabel Allende
Narrator: Maria Cabezas
Duration: 14 hrs 40 mins
Publisher: Harper Audio
Read: May 10-18, 2013
Source: Publisher for review

Description from Goodreads:
Neglected by her parents, 19-year-old Maya Nidal has grown up in Berkeley with her grandparents. Her grandmother Nini is a force of nature, a woman whose formidable strength helped her build a new life after emigrating from Chile in 1973. Popo, Maya's grandfather, is a gentle man whose solid, comforting presence helps calm the turbulence of Maya's adolescence.

When Popo dies of cancer, Maya goes completely off the rails, turning to drugs, alcohol, and petty crime in a downward spiral that eventually bottoms out in Las Vegas. Lost in a dangerous underworld, she is caught in the cross­hairs of warring forces. Her one chance for survival is Nini, who helps her escape to a remote island off the coast of Chile. Here Maya tries to make sense of the past, unravels mysterious truths about life and about her family, and embarks on her greatest adventure: The journey into her own soul.

Review:

Wow, so this was my first experience with Isabel Allende and it was not what I was expecting at all. I'm not sure what I was expecting exactly, just that it wasn't this. Also, just fyi, let's just put a big ol' trigger warning all over this book for pretty much every trigger ever.

Why Did I Read This Book?
I'd run out of audiobooks for review and selecting them on my own takes forever, and this showed up in a newsletter. I've been curious about Allende for a while, thus why I own several of her books (*side-eyes*), and this seemed as good a place to start as any. Plus, I've discovered that I generally love books about dark subject matter and this did sure sound dark.

What's the Story Here?
Nineteen year old Maya Nidal has been sent by her grandma to a small Chilean island to escape some tragic past and possibly pursuers. The story follows two timelines, Maya's past and her present, until the past catches up to where the book started. What unravels is a tale of how Maya made pretty much every wrong decision it was possible to make. Seriously, she does drugs, is an alcoholic, gets raped (this isn't a decision, but getting into a truck with a sketchy trucker after escaping from rehab may not have been the wisest course), joins the underworld and sells drugs so she can earn drugs, pisses off people in the underworld, and then, living on the street, prostitutes herself to obtain money for drugs. The point of the book is that the Chilean island, the name of which I don't know how to spell because audio, opens her up and lets her live again.

What Did I Think Was Missing?
Maya's emotional arc didn't really work for me. We're spared most of her struggle of recovery from addiction. There's some mention of it, but not enough. Recovering from addictions to crack and alcohol is a painful process and she doesn't seem to suffer all that much. In Chile, people regularly drink in front of her and it seems hardly to tempt her, though she does know better than to drink anything herself. From what I've heard, most alcoholics can't handle that. Seeing that she will be dealing with those unhealthy urges forever would have been a more powerful statement, I think. She just seemed to get over it all way too easily.

How are the Characters?
Mostly, they're all terrible people. The rest, like Maya, her grandmother, and Manuel, who Maya stays with in Chile, are on the border between likable and unlikable. I will say that Allende does give them all distinct personalities and they do feel like real people, so points for characterization. However, they're just not people I particularly want to get to know. This was sort of like listening to a radio drama of some super dark soap opera or something. On the one hand, you can't stop listening because you want to know what happens next, but it was also melodramatic like whoa.

And the Romance?
Lol, okay, so this part I did like. Maya's this girl who's been through pretty much everything life has to offer. She's seen and done a lot. Anyway, this guy, Daniel, comes to the island and she sees him and hearts pop out of her eyes like in an anime. The moment she sees him she's like "this is the man I'm going to marry," because her feelings on seeing him reminded of the story of how her grandma met her beloved grandpa. She instaloves all over Daniel, which would be irritating, except that it totally pans out like most actual teen instalove would: a big, huge, awkward dumping. After it happens, Maya's all "this is the worst thing that has ever happened to me," and I was all "trololol." This was basically the comic relief of the piece.

How was the Narration?
Maria Cabezas definitely makes a convincing Maya. She reads with just the slightest accent, like her time in Chile has rubbed off on her. Her voice conveys both Maya's gruffness and youth, and she was just really well-suited to the character. I'm glad I tried this on audio, because I would have DNFed the print really quickly.

Sum It Up with a GIF:

Rating: 2.5/5

Sadie Hawkins Sunday Review #13: Angelfall

Angelfall
Penryn & the End of Days, Book 1

Author: Susan Ee
Pages: 254
Publisher: Amazon Children's Publishing
Source: Purchased
Recommended by: Steph of Cuddlebuggery

Description from Goodreads:
It's been six weeks since angels of the apocalypse descended to demolish the modern world. Street gangs rule the day while fear and superstition rule the night. When warrior angels fly away with a helpless little girl, her seventeen-year-old sister Penryn will do anything to get her back.

Anything, including making a deal with an enemy angel.

Raffe is a warrior who lies broken and wingless on the street. After eons of fighting his own battles, he finds himself being rescued from a desperate situation by a half-starved teenage girl.

Traveling through a dark and twisted Northern California, they have only each other to rely on for survival. Together, they journey toward the angels' stronghold in San Francisco where she'll risk everything to rescue her sister and he'll put himself at the mercy of his greatest enemies for the chance to be made whole again.

First Sentence: "Ironically, since the attacks, the sunsets have been glorious."

Review:
Right now, I am so happy with myself for coming up with this feature. Keep suggesting all of the wonderful books to me, you beautiful people. I'm riding high on two awesome suggestions in a row. *basks in the glory of good books*

I'm going to warn you up front that the awesomeness of this book makes me want to swear, and I believe in being true to my reactions to books, so if you can't handle a foul-mouthed review, this is not your day for my reviews.

Obviously, I've heard tell of Susan Ee's Angelfall. I mean, heck, the average rating among my friends on Goodreads is an almost unheard of 4.45, since I tend to befriend the pickier side of the internet. That's not just based on a couple of reviews either, but over thirty. Such things do not happen often. Oftentimes such hype can end in disappointment, but I am thrilled to announce that Angelfall is still badass, more than I could have anticipated.

Susan Ee's post-apocalyptic landscape is horrifying on just about every level and I love it so much. Like with so many, humans are scattered and suffering, surviving off of whatever they can scrounge up in houses and stores. Humanity's doomed whether they deal with the attackers or not, because agriculture's sort of important, yo. Also like a number of other post-apocalyptic scenarios, our heroine, Penryn is with helpless family to protect: her crippled little sister and her batshit insane mother. So, basically, she's fucked. Some people might want to cut and run, knowing their chances of survival were better alone, but Penryn loves her sister Paige and her mom, broken though they are in different ways.

The attack that happened? Yeah, that was motherfucking angels. Pretty intense, no? Susan Ee takes the whole Christian angel mythology and does something totally awesome and horrific with it. I would like to give her a fistbump for this. These angels definitely have more of a scary Old Testament flair, and, based on their actions, if they are controlled by a god, he's not too pleased with humanity. How incredibly creepy would that  be to realize your religion was both right and wrong? Oh, look, here come the angels down from Heaven to take the good people . . . and kill them in nasty ways. Only, not so much just the good people but all of the people. Pardon me while I evil laugh at how bitching this is.

As the book opens, Penryn, her mother, and her sister stumble across this like angel showdown. This angel with white wings is getting beat down by a whole bunch of angels with colored wings, even though white winged dude is obviously strongest. How often does a series open with the romantic lead getting the shit beat out of him and his fucking wings chopped off? Not often, and I dig it. I love to see strong characters not win every fight. If they don't, everything comes too easily and there's no big emotional payoff and no fear that they might not make it through.

Anyway, Penryn manages to startle the angel group sort of by accident and chase them away, but they freaking swoop down and flap off with Paige like a hawk grabbing a bunny for dinner. Obviously, Penryn is pissed and determined, so she has to try to save this damn angel, so he'll tell her where the fuck to find those other angels so she can get Paige back.

Penryn and Raffe, the angel, engage in some pretty great banter, both when they do and do not feel kindly disposed towards one another, so that's awesome. I like how Penryn often can't think of a clever retort, because that is so me, but that sometimes she thinks of one and I am all proud for her. Also, I love that Penryn and Raffe don't treat one another all that differently as they grow fond of one another. Like, yes, they help each other more and are more considerate, but they don't go from snarky to sappy at all. They stay true to their characters the whole time, which is awesome. Oh, and, just fyi, I talked about love interests and all of that, but there really isn't much romance in this one, so don't let that scare you off. More like there's a ship there if you wanted, but you don't need to sail on it to have a good time.

From this point on, I can't say much, because spoilers are evil. BUT I will say that there's some seriously creepy shit in this book, like a couple of scenes that join the list that haunts my brain. *shudders* Ee definitely also joins the list of authors not afraid to do monstrously awful things to their characters, which has me jumping around in malicious glee. Book two could go positively anywhere and I love that.

The only thing missing from this experience for me was an emotional connection to the characters. Oddly, I do really like Penryn and Raffe, so I'm not sure why I didn't bond. Sadly, I didn't. Scary things would happen and I would admire the awesomeness of the moment, but I never felt any concern for them. I was just watching, not sucked in. Of course, that's such a personal thing, and I wouldn't let that stop anyone else from picking the book up, because, as I said already, this book is bitching.

There's a reason everyone's talking about Angelfall. Go read it.

Rating: 4/5

Favorite Quote:

"When he smiles, he really does look like someone you'd want to get to know. Some otherworldly handsome guy a girl could dream about.
     Only he's not a guy. And he's too otherworldly. Not to mention that this girl is beyond dreaming about anything other than food, shelter, and the safety of her family."

---

Up Next:

The next Sadie Hawkins Sunday book will be Tatiana and Alexander by Paullina Simons, suggested by Lisa V. Now that I know what to expect from the series, I hope that I like this installment a bit more than The Bronze Horseman! *concentrates on being in the right frame of mind*

Want to tell me what to read? Fill out the following form with a suggestion! For more details, check this post.

On My New Arrivals Shelf (56)

Bloggers/Authors Mentioned:

Lenore Appelhans of Presenting Lenore/The Memory of After
April of Good Books and Good Wine

Kara of Great Imaginations
Jamie of The Perpetual Page-Turner
Audrey of Bibliosaurus Text

For Review:

Tumble & Fall - Alexandra Coutts
This Song Will Save Your Life - Leila Sales 

Reboot (Reboot #1) - Amy Tintera

Gifted:

Zits: Chillax - Jerry Scott

Openly Straight - Bill Konigsberg

The Distance Between Us - Kasie West

SYLO - D.J. MacHale

Parallel - Lauren Miller
Tarnish (The Royal Circle #2) - Katherine Longshore
Babe in Boyland - Jody Gehrman
Black Helicopters - Blythe Woolston
A Darkness Strange and Lovely (Something Strange and Deadly #2) - Susan Dennard
The Rithmatist (Rithmatist #1) - Brandon Sanderson

Purchased:
Shadows on the Moon - Zoë Marriott {my should have been 5 star review}
Golden - Jessi Kirby
Mistborn: The Final Empire (Mistborn #1) - Branson Sanderson {my 5 star review}
The Well of Ascension (Mistborn #2) - Brandon Sanderson
The Hero of Ages (Mistborn #3) - Brandon Sanderson
The Alloy of Law (Mistborn #4) - Brandon Sanderson

*Thank you so much, lovely blogger people. Lenore, April, Kara, Jamie, Audrey, you know I love all of your faces. Also, thanks to MacKids and HarperTeen or the pretty review books!*

Review: The Sword Dancer

The Sword Dancer

Author: Jeannie Lin
Pages: 288
Publisher: Harlequin
Publication Date: May 21, 2013
Source: Author for review

Description from Goodreads:
Sword dancer Li Feng is used to living life on the edge of the law—a woman alone in the dangerous world of the Tang Dynasty has only her whirlwind reflexes to trust. She will discover the truth about her past, even if that means outwitting the most feared thief-catcher of them all...

Relentless, handsome and determined, Han sees life—and love—as black and white. Until he finally captures the spirited, courageous Li Feng, who makes him question everything he thought he knew about right and wrong. Soon he's faced with an impossible choice: betray the elusive sword dancer he is learning to love, or trust his long-disregarded heart and follow her to dangerous, tempting rebellion...

First Sentence: "A lone reed flute sang the opening melody."

Review:

It's no secret that I'm a wee bit obsessed with Asian culture. If a book is set in Asia, whether modern or historical, I'm probably going to be intrigued. Also, I must admit a fondness for romance plots in an Asian setting, due both to my teenage love for the novel Shogun and my adoration of manga/manhwa. With my first read by Jeannie Lin, I get to travel to historical China in a read full of romance and adventure.

Jeannie Lin's The Sword Dancer surprised me in a great way. The relationship herein depicted deviates from the standard fictional romance formula in ways that make me so, so very happy. Though the arc of Han and Li Feng's relationship is rather predictable (which isn't really a bad thing, since romantic reads aren't really ones you go to for twists), the relationship dynamics are non-standard and fistbump-worthy.

Neither Li Feng nor Han is incredibly gorgeous. They're not unattractive, and they certainly find one another quite appealing, but they're not the stereotypical blemish-free, wanted-by-everyone characters found so often in fiction. At first, Han finds Li Feng a bit plain, but her beauty, as his does, comes from the person inside the body: "Her face was one that Han might never have noticed if he hadn't seen her dance. Like the rest of her, its beauty was in movement" (35). Now, obviously, that is about her physically, but beauty in movement is such a perfect descriptor for Li Feng, who never stops going. At that point he hardly knows her, but I think it encapsulates why he likes her so much and why she's so compelling to him, because of what she does and not how she looks.

Lin resists more stereotypes with the character of Li Feng. She's strong, fast, and clever. Wanted as a thief, Han, a thief-catcher, apprehends her early on, but she escapes from prison. Though Han is physically stronger than she is, she often bests him, because of her quick wits, speed, and flexibility. As he comes to care for her, Han retains this understanding of and respect for Li Feng's skills. He doesn't try to change her or make her act like a proper lady, and he trusts her to keep herself safe without him looming over her for protection.

Plus, Li Feng is no blushing virgin to be taken by the manly man, thank goodness. In fact, Li Feng is the aggressor in the physical portion of their relationship, with Han unsure if he's emotionally prepared for sex. On the other hand, Han pursues an emotional connection, and Li Feng's not so sure about that. The traditional gender roles got turned on their head, which always makes me joyous. All women don't want commitment; some men are not always emotionally prepared for sex. Seeing this reflected in fiction gives me a happy.

Li Feng and Han do also have a pretty convincing connection, what with the mutual respect and all. Their personalities and interests are similar, and they do seem like a good match. Still, I do prefer romances that take longer to grow. Most of The Sword Dancer takes place within the span of two weeks or so. I just prefer a slower burn myself.

Of course, the book also isn't all romance. In fact, I'd say that Lin's heart lies in the action scenes which pepper the book. There are sex scenes if that's what you're looking for, but they're outnumbered by scenes of daring acrobatic leaps and sword fights and so forth. There's also a murder mystery and government corruption and Li Feng's forgotten past to untangle.

If you enjoy romances in a unique, lush setting and full of exciting action scenes, Jeannie Lin's The Sword Dancer will likely tickle your fancy. I enjoyed myself and will be adding some more of Lin's books to my to-read list.

Rating: 3/5

Favorite Quote:

"'I proved to be a very poor scholar,' he concluded, cutting his explanation short.
     'How so?'
     'Well, once for my daily lessons, I wrote a single line that read, "I do not want to be a high-ranking official."'"